Update: I’m an idiot for not including mewithoutYou’s Brother, Sister on this list. Beautiful album, beautiful lyrics. That is all.
mewithoutYou - A Glass Can Only Spill What It Contains
It’s February, and you know what that means: Best of 2006 lists! Yeah, I apologize for the very late posting of my favorite albums of last year, but I’ve had an ungodly amount of things to do in the past several weeks and am still not through with it. Nevertheless, I feel like really bad for not having posted anything for such a long time. I will begin getting back in the groove of writing up more posts, but for now here’s my less indie-friendly recap of what I thought were the highlights of 2006. I’ve divided the list into two sections: the unrankable honorable mentions, and the top seven. Why? Because there were only seven albums that truly stood out from the rest, and that it was too difficult to distinguish the order in which the other twenty or so albums should be in. Lazy? Perhaps, but there’s no reason in ranking the albums if there’s no meaning behind the numbers. I also realize that this list is shorter than the other two - if I didn’t listen to the album the whole through at least several times and enjoy it each time, then it didn’t make the list. So without further ado, here are my favorite albums of 2006…
Honorable Mentions

The Lawrence Arms - Oh Calcutta!
Apathy and Exhaustion has always been my favorite Lawrence Arms album, but Oh Calcutta! is now a very close second. The signature dual vocals are emphasized a bit more, and the entire album takes on a more rugged and dirty sound than their previous releases. The Lawrence Arms definitely have a reputation for telling it like it is and keeping their music raw and unpolished, which is exactly why I like them so much.
The Lawrence Arms - The Devil’s Taking Names
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Norma Jean - Redeemer
Some people can’t see the beauty in screaming. That’s their loss, because Norma Jean are one of thefinest of their craft. Redeemer is a great follow up to last year’s O God, The Aftermath, bring a cleaner, well-produced sound to Cory Putnam’s deep, powerful vocals and the bands trademark experimetalcore sound.
Norma Jean - A Grand Scene For A Color Film
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Cursive - Happy Hollow
Who could’ve asked for a better comeback? The Omaha four-piece returned in 2006 after a three-year hiatus with Happy Hollow, and album that’s a bit quirkier than their previous releases, using horns to replace the cello, but still has that good ol’ Cursive sound.
Cursive - Big Bang
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P.O.S. - Audition
I’m horrible at reviewing hip-hop music, so I’ll make this brief and simple. I don’t listen to a whole lot of hip-hop, but for some reason, P.O.S. clicked with me. Maybe it’s because of his awesome lyrics. Or maybe it’s because of his unique connection with punk music (the guy mashes up De La Soul and the Bouncing Souls in one song - how cool is that?). If it wasn’t for seeing him open up for Minus the Bear, I may have missed out on listening to my favorite hip-hop album of the year.
P.O.S. - Half-Cocked Concepts
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Look Mexico - Crucial EP
It may be an EP, but it’s just as good as most of the other albums on this list. Nothing fits a sunrise quite as well as Look Mexico’s debut EP, on which they flaunt a sound you would probably hear coming from the offspring of Minus the Bear and American Football. When I walk to class in the morning, I either play Minus the Bear’s “We Are the Football Team” or any track off of his five-track bundle of joy.
Look Mexico - Call Off Your Lap Dog
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Versus the Mirror - Home
Unbeknownst to me until I did a little research on this album recently, Versus the Mirror recorded their final album old-school style, going directly from analog to 2″ tape. That’s pretty cool considering the end result, and album that perhaps garners the screamo tag, but rises far above most other contemporary bands in the genre. It’s really a shame that the band, at least under this moniker, has decided to stop making music together, but the guys still promise that you’ll be hearing plenty more from them soon.
Versus the Mirror - Birthed By Architecture
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Gatsby’s American Dream - Gatsby’s American Dream
It may not be as epic or deep as Volcano, but Gastby’s returns with a fantastic album chock filled with clever-as-always lyrics, scornful against the vulturous recording industry. That, and it’s a hell of a lot easier to dance to anything else they’ve ever released.
Gatsby’s American Dream - We Can Remember It For You Wholesale
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The Matches - Decomposer
For some reason I got a lot of complaints for “nay-saying” the Matches’ latest album. I really don’t think I was that harsh, but I do apologize for speaking the least bit negatively of this fabulous album. The Matches got me hooked with their catchy-as-hell pop-punk guitar riffs and chorus lines on their previous Epitaph release, E. Von Dahl Killed the Locals. What’s great about Decomposer is that they kept all the catchiness while maturing as a band, introducing a heavy electronic element on this album.
The Matches - Didi (My Doe Part 2)
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Blood Brothers - Young Machetes
The Seattle experimental post-hardcore outfit returns with an album that’s just as off-the-wall as anything they’ve released before. But this time around, the band manages to bring melody into their typically unhinged sound, resulting in an album that you can mosh to just as easily as you can tap your foot to its rhythm. It’s a welcome change and should make it an easier listen for those who aren’t accustomed to the band’s style.
Blood Brothers - Lazer Life
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The Velvet Teen - Cum Laude
I would’ve hated myself if I missed this band’s live show because I probably would have never listened to them otherwise. What makes their music so great is the way they let harmonic electronic loops play over and work cohesively with guitar, drum, and bass. And man oh man, their drummer is perhaps one of the greatest I’ve ever heard. This band is capable of very great things, and I can’t wait to see what they come up with next.
The Velvet Teen - 333
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Test Icicles - For Screening Purposes Only
It’s a shame that these guys broke up not long after I heard them for the first time. I have to thank the adorable Derek Davies for playing these guys in the car on the ride back from our romantic beach vacation. I love Test Icicles’ blend of Blood Brothers-esque screams and dance beats - you can never go wrong with a combination like that.
Test Icicles - Circle. Square. Triangle.
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Set Your Goals - Mutiny!
Set Your Goals breath life back into hardcore-punk, but add their own poppy twist. However, don’t be fooled by the band’s happy sound; I’m sure if you had these guys over for a house show, your basement would be destroyed. The cool thing about these guys is that they appeal to anybody, whether you’re an old school punk-vet or my twelve year-old brother. That, and their album’s pirate theme is awesome. Yargh.
Set Your Goals - Mutiny!
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These Arms Are Snakes - Easter
Sure, it’s no Oxeneers, but the Seattle prog-core quartet return with Easter, an album that provides a bit more variety in song and is by far the most powerful of their albums as far as lyrics go. I still wish the band could do a better job of encapsulating their explosive live show in their recorded material. Nevertheless, it’s great to hear some hardcore music that’s built around artful musicianship rather than over-the-top distortion and screaming.
These Arms Are Snakes - Mescaline Eyes
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Moneen - The Red Tree
Had Moneen not come out with The Red Tree, I would have forgotten they existed. They could have been one of those over-hyped bands discovered at the peak of pop-punk’s popularity destined for nothingness once people began to lose interest in the genre. Instead, the Canadian four-piece returned with a great album, chock full of that emo you all love to hate. Imagine an album where every song is just as good as “Are We Really Happy With Who We Are Right Now?,” except this time the band’s got a better hold of their musical capabilities, and you’ve got The Red Tree.
Moneen - Don’t Ever Tell Locke What He Can’t Do
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New Found Glory - Coming Home
Cue the haters. New Found Glory may not have struck gold with some of their last albums, but they definitely make up for that with Coming Home. This time around they drop the bubble-gum pop-punk attitude and churn out some more mature tracks that are still catchy as hell.
New Found Glory - Coming Home
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Deftones - Saturday Night Wrist
The band almost called it quits when vocalist Chino Moreno wouldn’t get his act together during the recording process of the album, but fortunately they were able to ride it out and release Saturday Night Wrist. As they have with their previous releases, this album balances rock and ambience perfectly. And words cannot express how much I love Moreno’s voice - listen to “Cherry Waves” (and for that matter, 2000’s White Pony) and you’ll see what I mean.
Deftones - Cherry Waves
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Men, Women, and Children - Self-Titled
There is no doubt that Men, Women, and Children were by far the most fun band to listen to in 2006. Their combination of dancy beats and catchy guitar hooks left me, as well as hundreds of scene kids, salivating for more disco-rock goodness. MWC also pulled off one of the greatest, entertaining live shows I saw all year; I wish I could go back in time and convert to Judaism so these guys could play at my bar mitzvah.
Men, Women, and Children - Lightning Strikes Twice in New York
The Top 7

7. AFI - Decemberunderground
At first, I was really disappointed in the band’s departure from the sound of their phenomenal major-label debut, Sing the Sorrow. Decemberunderground was not nearly as dark or intricate as their 2003 plantinum release. But it being AFI, I had to give the new album another chance, and after a few more listens I fell in love with it. I looked past what I initially saw as a “pop-ification” of the band, and instead realized how wonderfully these guys combined new wave, electronica, pop, and rock ‘n’ roll. Sure, the musicianship may not be nearly as elaborate or ethereal as their previous work, but it’s still amazing and surprisingly catchy as hell.
AFI - Summer Shudder
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6. Underoath - Define the Great Line
2004’s They’re Only Chasing Safety may have given Underoath the title as one of the fore-runners in the screamo genre. Who could blame people for calling them that? It was a great album, combining Spencer Chaimberlain’s powerful voice and the band’s heavy sound with at-times catchy hooks. But that’s not who the band really was. This time around, Underoath was able to demonstrate what they were really capable of. Listen to this album, and I dare you to call them a screamo band. Underoath has garnered support and acclamation from all over today’s hardcore and metal community as well as popular critics with this heavier, more intricate and experimental album. Jesus gives this album two thumbs up.
Underoath - Returning Empty Handed
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5. Brand New - The Devil and God Are Raging Inside Me
Could they have taken any longer? Brand New’s follow-up to 2003’s Deja Entendu finally arrived this year. God knows what happened during the years of silence preceding this album’s release, but who cares? Although it may not be Deja Entendu version 2.0, The Devil and God Are Raging Inside Me is definitely one of the finest albums of the year. In my opinion, the band has successfully shaken off the emo-tag that many reviewers love to smack on them, and has instead released a straight-up awesome rock album. I won’t say anything more, except that “Jesus Christ” is the most beautiful song I’ve listened to all year and will brighten up your day no matter how much life sucks.
Brand New - Jesus Christ
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4. Portugal. the Man - Waiter: You Vultures!
Alaska’s Portugal. the Man came out of nowhere and put out the best surprise of 2006. I don’t know how to describe this band, nor what genre to place them in. Perhaps that’s what the band was trying to accomplish. No song off of Waiter: You Vultures! is worth skipping over. You can groove, chill, or make love to this smooth album. Portugal. the Man borrows from many styles of music, including funk, jazz, and rock, resulting in an unexampled creation of their own. Scene kids may be going ga-ga over these guys, but anybody who picks up this album is sure to love it.
Portugal. the Man - How the Leopard Got Its Spots
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3. The Format - Dog Problems
Zack ranked Dog Problems as the twelfth best album of 2006. In my opinion, that’s a bit too many places away from what I see as one of the greatest albums of the year. As I mentioned in last year’s Spring Mix, I instantly fell in love with the Format when I saw them on tour with Motion City Soundtrack. I don’t see how anybody could not like this band, unless of course you’re into killing cute puppies. Their last album, Interventions and Lullabies, was a pop-punk fan’s dream, and I have to admit, it was a great album. But the band definitely topped it with Dog Problems. I love the big-band, carnivalesque sound they adopted for this album, using a great combination of orchestral sounds and their usual feel-good attitude to create one of the most fun albums I’ve listened to this year. I highly recommend playing it when you’re studying, reading, hand-gliding - it honestly goes with anything.
The Format - Time Bomb
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2. Fear Before the March of Flames - The Always Open Mouth
Fear Before stunned critics this year by releasing an album far different than anything they had written before. Whereas Art Damage may have had a psychotic aspect to it, filled with plenty of insane math-core riffs and raging, cacophonous vocals, The Always Open Mouth is a much more experimental album, blending electronics with intricate guitar and drumwork. There’s a great blend of songs on this album as well, with some being of a more ambient, atmospherical quality, while others maintain the aggressive sound that the band has always had. This album definitely wins the award for most brilliant album of the year.
Fear Before the March of Flames - High as a Horse
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1. Rx Bandits - …And the Battle Begun
Surprise! Shouldn’t come as much of a shock that the Rx Bandits managed to snag the number one spot on this list. But setting my excessive praising of the band aside, honestly, this album is amazing. I didn’t think it was possible for them to mature any further, let alone top 2003’s The Resignation. I should have known that these guys would never disappoint me. The Rx Bandits returned with …And the Battle Begun, an album that toned down the distortion, but packed just as much punch as the last and brought with it a new, soulful feel to it. I have listened to this album the whole way through at least several times a week since I got my hands on it last summer. Hands down, the best album of 2006.
Rx Bandits - …And the Battle Begun
-Adrian